Alternative-Read.com: February 2009

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Today's Feature Post

INTERVIEW with MORGAN MANDEL: Conducted by Lucille Perkins Robinson


Morgan Mandel

LPR: Girl of My Dreams is the kind of story that actually causes a woman to dream of what might have been if she had been in a beauty contest. A delightful read that shows great talent in making descriptions of the interactions between characters sound so normal and real.

MM: Thanks so much, Lucille. I'm glad you enjoyed Girl of My Dreams.

LPR: Please tell us what kind of writing you like most to do and how you got your start as a writer.

MM: Romances and mysteries are equal favorites of mine. I have the same tastes in reading as when I'm going to a movie or watching a DVD at home. I started seriously writing fiction after attending a program by Chicago-North Romance Writers of America at the local library. That's when I discovered authors were real people and maybe if I worked hard enough I could be one of them. I joined the chapter and have never regretted it. Getting the support and feedback from my chapter friends is what made the difference in my getting published.

LPR: What other books or stories have you written and where might the reader find these?

MM: My debut novel, Two Wrongs, a mystery set in Chicago, combining elements of a John Grisham-like courtroom scene, a Danielle Steel-like second-chance-at-love and an old Charles Bronson movie-like revenge plot, was published in 2006 and is still available at www.hardshell.com, in print and ebook, also at www.amazon.com, www.fictionwise.com,
http://mobipocket.com and by order at bookstores. My current romantic comedy, Girl of My Dreams is available through the same venues.

LPR: When I first began to read Girl of My Dreams, I thought, Oh sure, another romance of course. But I found your story set apart from the usual tale in that every incident, every event, seemed so real. I wondered if you had any personal experience as a contestant in a beauty contest. If not, have you worked on the sidelines to help put on a contest?

MM: I've never been in a beauty contest, I'm over twice as old as my character, but I can dream, can't I? That's what fiction is all about, becoming someone else for a short time.

LPR: Another thing that set the story apart is that of having a rich young man make the choices instead of a panel of three or more people. What gave you this idea? In my opinion it proved very good for me.


MM: I liked the idea of more interaction between the millionaire and who he'd end up with. Why should someone else decide something so important to him? It should be his choice.

LPR: What led you to title the story Girl of My Dreams?

MM: I have to confess to conniving. The beginning letter of the title has a lot to do with a product's placement. Two Wrongs was further down in the listings because the title started with a T. I wanted one that would be easier to find. With that in mind, I fiddled with ideas and this one came to me.

LPR: Do you title before or after you write a story?

MM: I title before the story, but sometimes it's necessary to change it.When I wrote Two Wrongs, first I called it Vengeance, but that didn't sound right. Then I called it Dead Wrong, but right before got the contract I found a recently released book with the same name. To avoid confusion, I changed the title.

LPR: I can relate to the fear she felt when she first decided to take the 12th contestant's place although I've never been in that situation myself. Did something in your own life suggest a spontaneous move such as this?

MM: I don't do much spontaneously. I'm too much of a thinker. Because of that, I gave my character a strong enough motive to make her take on something so scary. The scariest thing I do is speak on panels and give speeches to promote my books.

LPR: Another point I want to mention is when his mother fell sick. He dropped everything to go to her, yet she stepped in and made the contest a success. I commend you on the ability to make that moment seem so natural. Did you have an outline for this story before you sat down to write it or did your character just take over?

MM: I despise outlines. I'm not organized enough to do them. Sometimes when I get into the middle of a story, though, I'm stuck with making a timeline for myself, to keep events and dates straight. What I did with the part of the story you refer to about the director's mother being ill was I thought over what seemed logical in light of the goals I had in mind. I wanted the
director to undergo a life-changing event to make him seem more human. I also wanted the heroine to become even more assertive. With those goals in mind, I carved out that part of the plot.

LPR: If it's the latter, what point do you have to reach before a character begins to tell the story?

MM: I start with a few ideas in mind about the beginning and end of a story, then let it all happen. My characters always take over and do things I never expect. That's the fun of writing.

LPR: Do you have to fit your writing around a day job? If so, how do you manage it?

MM: I've worked several years as an administrative assistant at a law firm. I'm fortunate enough to get Wednesdays off and try to cram everything I can into that day. I also do much of my writing on a laptop computer as I commute. In the evening and on weekends I'm busy with promotion. I have a difficult time managing it all, but can't afford to quit my day job. I'm lucky to have a very supportive husband.

LPR: In this day when some authors boast of writing a book a month, how long did it take you to write this book?

MM: It took me over a year and a half to write Girl of My Dreams, not counting the editing process with Hard Shell Word Factory. I'm a slow reader and a slow writer. I really like to get into a story which takes time for me.

LPR: Have you found a kind diplomatic way to handle interruptions to your writing schedule? To say no to those asking for your time during writing
schedule?

MM: I try to juggle both. Since I do most of my creative writing on the commuter train, my main problem is being distracted. On the way to work I ride in a quiet car and don't have trouble concentrating. On the way home, I'm in a car with friends I've come to know over the years and it's hard to concentrate on writing instead of joining in on the conversation. At home, I watch TV and do Internet promotion at the same time. I make time to attend family events and go out with my husband. My only child is my dog, Rascal. She demands attention and often interrupts me when I'm writing. I give in too much to her.

LPR: Do you read when you're not writing? Assuming you write what you like to read most, what other kinds of reading do you do? What other kinds of stories do you like?

MM: I wish I had more time to read, but I do it when I can. I enjoy reading the same type of books I write - romances and mysteries. Some of my favorite well-known authors are Mary Higgins Clark, Katherine Stone, Dick Francis and the late Sidney Sheldon. I also read books by friends of mine even if they're not in the same genre as I write. Good authors can draw me in despite my favorite preferences.

LPR: Do you feel that your reading influences your writing or the stories and ideas that come to you?

MM: Definitely, as far as genre, but not in the way of content. Still, a small point in another book can spark an idea for a complete story.

LPR: Now that Girl of My Dreams is published and you can look back on your writing experience, is there anything about the story or the processes by which it was written that you wish you would have done differently?

MM: No, I'm happy with Girl of My Dreams the way it is. It's the story I wanted to tell and I did my best to tell it.

LPR: What are you working on at present? Will it be in a series that Girl of My Dreams may fit into or will it be a stand alone?

MM: Girl of My Dreams is not part of a series. Right now I'm working on two completely different novels. One is a boomer thriller about aging called Forever Young, which could possibly be part of a series. The other is a romantic comedy about a repairman called Mr. Fix-It.

LPR: If you had an opportunity to give struggling writers one piece of advice, what could you say to them? Perhaps something that has helped you more than anything else?

MM: Be persistent. You've probably heard this from many authors, but it's the truth. It takes time to make the right fit. It takes time to hone your craft. Don't give up.

LPR: Thank you so much, Ms. Mandel, for taking the time to answer all of my questions. Be sure to let us know when your next book is published.

MM: Thanks, so much, Lucille. It was a pleasure sharing my thoughts with you and your readers.

Lucille P Robinson

http://blog.lucilleperkinsrobinson.com

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GROUP MEMBER NEWS: An Anachronism



There is an anachronism in the cover design for THE EMBROIDERED CORPSE.

Take a look and see if you can find it.

Some readers tell me they thought this second Belinda Lawrence book was an historical mystery. Well, in a sense it is, but the setting is contemporary and Belinda and Hazel Whitby have their work cut out solving this exciting mystery, which draws on activities surrounding 1066, deeds that still reverberate with wickedness and call up ancient
machinations. Take a `look inside' and judge for yourself.
http://tinyurl.com/7na7ur

Cheers,

Brian Kavanagh

INTERVIEW: with Larriane Wills conducted by Lucille P Robinson

Interview with Larriane Wills conducted by Lucille P Robinson

LR: I want to talk about both your books that I've just finished. One is a Science Fiction and the other a Fantasy/Historical Romance. Two very different stories yet with a certain drawing power. Each time I left either story to perform any daily chore, it stayed in my mind as though drawing me back to its pages. Your characters and the story instantly grab me, Ms. Wills. I can't say it's just the characters. Perhaps it's more that the characters so perfectly a fit the story. Since Looking Glass Portal is the first one I read, let's discuss it first.

Will you give us a brief sentence or two describing Looking Glass Portal and how you came to write the story?

LW: Garrett is a modern day cowboy, a loner by choice, not planning to be among the living much longer. After being attacked, mortally wounded and taken aboard a space ship, he tries really hard to keep that detachment. The characters and creatures there have other ideas. As to how I came to write the story, I have to admit I don't remember what started it off. I started writing years (and years) ago, not doing anything with my stories other than packing them away. When I 'came out of the closet' Portal, a fav, was one of the first I began working on to prepare for submission. Once re-writing began, it expanded with more ideas.

LR: Still talking about Looking Glass Portal, how did you come to build such a world? All the details made it live!

LW: The details came into existence, some as I needed them to make the story work, others to create an image for the reader to visualize. Just be happy I don't add everything I visualize. You wouldn't be able to lift the book off the table if I did.

LR: How did you keep from confusing the reader with the details of Glemm and the yayantz? The Glemm look like what we used to call daddy longlegs, a spider. But the Glemm had two sets of six legs. Daddy Longlegs had only eight legs like any spider. The yayantz resembled Glemm. So many legs! How did you keep these two apart?

LW: By giving each a very distinct appearance different from the other (beyond each were black and had six legs) and personalities and actions. Glemm didn't have wings and never flew, unless you count the time Vo shocked him. I didn't have any difficulty keeping them apart, anymore than I would have Garrett and Midi-whatever. But then those characters are all very alive to me.

LR: Let's talk a little about The Knowing. Please give us a brief description of The Knowing and tell us how you came to write it.

LW: The Knowing centers around the life of one man, marked at birth to be used as a religious and political sacrifice. From the time he's an infant he learns The Knowing, taught to him by his mother in defiance of the prophecy that calls for his death. The story begins with him as a man, fighting his forbidden attraction to one woman, and shutting another out while the religious and political fervor still threatens him. I found it interesting that what started the story off in my head, was not something about the main character, but the woman. I observed a middle-eastern couple in a grocery parking lot, her swabbed in clothes from the top of her head to her ankles, him in a short sleeved shirt, open at the neck. She did all the work unloading the groceries while he stood by, and she had to ride in the back when they left. I started wondering how she felt about the position of servitude she was living, surrounded by women dressed in shorts, driving their own cars, etc, envious, resentful, complacent? What would she have done if offer an alternative. The princess came into being in my mind, her dress and circumstances exaggerated. The question then was who could offer her an alternative. Would she take it? The story, once it evolved, moved the focus away from her, but that was still the little germ that started it.

LR: The Knowing is labeled as a Fantasy/Historical Romance. What makes it a fantasy? What makes it a Historical Romance?

LW: The lands of Amor and Ives exist only in my mind and on paper, therefore it's called a fantasy. It's historical because the time setting is an equivalent to our Regency Period, not modern day. They ride horses and in wagons, not cars or space ships. Romance? One woman's love for Garran, his resistance to letting anyone into his life, knowing the threats against him and whether or not there will be a happy every after ending.

LR: Did you create Atat Comm? What is its meaning?

LW: Oh yes, Atat Comm is all mine, though I will admit not too far amiss from some current political and religious beliefs in a coming savior. It's a promise of a speaker, shield and sword coming from the darkness of war and oppression to save them.

LR: For The Knowing, how did you learn to write the dialog or is there actually a people who talk like that?

LW: I doubt you're going to find anyone who talks like that now. You may have found something similar a hundred years or so ago in Cockney English. I used a few words, coined a few phrases and used a placement of the words to draw the reader into a different time and place.

LR: Let's talk a little about your writing habits, Ms. Wills. Do you follow a firm schedule or do you write any time you can find a minute?

LW: Schedule? Sorry, I'm laughing here. No, no schedule. I'm an obsessive writer, when the story is going, don't bother me. I go to bed with it still running in my head and wake up taking up where I left off, going straight back to the paper and pen. My family has learned to tolerate and only complain occasionally. I have to be reminded to eat or fix dinner, only breaking away when nature calls painfully, and like I said, don't bother me.

LR: Do you write a first draft before editing or do you edit as you write?

LW: My first drafts are always in long hand. The only real editing I do then is making the time line and such accurate. I don't get down to commas, undefined this or that, etc until after I type it into the computer.

LR: What authors or writings have influenced your own writing?

LW: Dozens, I was an avid reader long before I began putting my own stories down. I think everything I've ever read has influence me in one way or another, from I wish I could write like that to that sucks. Good examples and bad help you develop your own style. When I'm not writing, I'm reading still.

LR: What other types of writing have you done?

LW: Primarily romance in many genres. I have two contemporary romances coming out in Oct and Nov, Morning Meadow and Thirteen Souls. In Dec the first of a series of western romances will be released. I may throw in a witch or two—Evil Reflections just accepted—then again it may be ghosts, or maybe not. I pretty well mix things up. The sex may be hot and sensual or soft and sweet, just depends on the story and time setting. As for time settings, anything from centuries ago to centuries in the future, from our world to worlds never seen. I've just given myself a tag line, "The gateway to imagination." If I think it and the story jells, it goes on paper.

LR: Where might the readers locate The Knowing and Looking Glass Portal and your other writings?

LW: Both, and all to follow, are available in ebook and printed forms. My publisher, Swimming Kangaroo.com carries the ebook forms as well as fictionwise and mobi-pocket. Printed can be ordered from Amazon.com. Information on those and upcoming can be found on my site, http://www.larriane.com. Oh, one little note, the romances will be under my alter-ego name of Larion Wills in an effort to give my readers a signal as to what to expect. Larriane is for fantasy and science fiction.

LR: If you could only give the beginning writer one piece of advice, what would you tell them?

LW: I gave advice to a would be writer just last night. She gave me two samples of her writing, telling me they weren't that good. In the form they are, they really aren't, but they could be. My advice to her was "finish them". Don't let your idea of 'they aren't that good' stop you. Work them until they are.

LR: Finally, Ms. Wills, can you offer at least two writing prompts?

LW: Ummm, okay
1. The noise itself wasn't that disturbing. Where the thud came from was.
2. "You did what!" Helen shrieked balancing two year old Kevin on one hip and dragging four year old Christy by the hand.

LR: Those prompts are good. Thank you, Ms. Larriane Wills, for your time and we wish you all possible luck in your future writing endeavors. Be sure to inform us when your next book is published.

LW: Thank you, Lucille. You've made me tax my brain a bit since I seldom analysis my writing with the why and where buried in my sub-conscious. Made me work a bit, but it was fun. I will most certainly let you know when the next come out.

Lucille P Robinson
http://blog.lucilleperkinsrobinson.com
Previously published on the AR site 2008

AR MEMBER NEWS: 2009 EPPIE Finalist TEDDI TURNS ON Contemprary X-Rated


Magnificent Men of Munich

Teddi Turns On

Aspen Mountain Press

BUY LINK http://www.aspenmountainpress.com/romance/contemporary/teddi-turns-on/prod_135.html

BLURB

No one's going to take advantage of Teddi Howard again, including the Munich tour operator who screwed her over when he reneged on their contract. Her only option is to face the little weasel.

Nothing stands in the way of the prominent, German businessman David Stiefle, especially a woman. No way is he ever getting involved, even if she is the sensual Mrs. Howard.

EXCERPT:

David Stiefel's eyes kept track of the copper-haired female while he rolled up the sleeves of his striped shirt. The woman was oblivious to the stir she created as she strolled through the crowded O'Hare Airport Business Class Lounge. He stroked an index finger over his lips and studied her sleek figure in form fitting slacks. The appealing rear view was too good to miss. The pleasure of not seeing a panty line forced him to shift in his chair to adjust for the sudden pull in his jeans.

She bent over, hung her jacket across the chair back, and glanced over her shoulder at him. Their gaze held as a smile tweaked the corner of his mouth. He crumpled the wrappings from his beef sandwich and knew he'd just been offered dessert. Now all he had to do was make his move.

As his good luck would have it, right there on the floor, just a few meters away was an airline ticket dropped by some unsuspecting person. Ha, unsuspecting, his Aunt Hilda. He knew that delicious looking woman had done it as a ploy to meet him.

He stood and paced off the few steps, never taking his eyes from her. He stooped, scooped up the packet, and walked the few extra feet before he glanced at the name printed in bold marker across the front. When he held it toward her she fumbled with her purse and carry-on as if she didn't know she'd lost such an important set of documents. Very cool.

Standing in front of her, he leaned down just enough to catch her scent. Shalimar. His favorite.

"Bitte, Frau, are you missing something?" He liked the way her eyes widened as if she were surprised. She was good.

"Thank you." She reached out a slender hand. Thank God there wasn't any of that garish nail art so many women seemed to prefer.

BUY LINK http://www.aspenmountainpress.com/romance/contemporary/teddi-turns-on/prod_135.html

Sloane Taylor
Sweet as Honey...Hotter than Hell
TEDDI TURNS ON 2009 EPPIE Finalist - Erotica www.aspenmountainpress.com
FRENCH KISS www.eternalpress.ca
www.sloanetaylor.com www.myspace.com/sloanetaylor

ACCEPTING SUBMISSIONS: Diana Kay Publishing

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CORRECT at time of publishing on this site.

BOOK EXCERPT: *Promo* Bid For Love by Savannah Chase


Bid For Love by Savannah Chase

Genre:Erotic Romance/ Contemporary

Length: Short

Price: $2.50

Publication Date: August 18, 2008

Her fantasy man is up for auction. Will Nico dare to bid?

Nico's history of romantic disasters has taught her when she gambles on men, she fated to lose. That doesn't stop her from secretly lusting after Jeff, the handsome construction worker she sees everyday on her way to work..

When the New York's Sexiest Bachelor auction begins and Jeff comes up on the block, she's seriously tempted to place a bid. The wager can't be taken lightly — it might be for a good cause, but she's making a bid for love……

Excerpt

Nico was intrigued by the things people revealed when they only had three minutes to talk and make a first impression. So far, most of them were not good ones. After all she had seen so far, she was more than ready to bolt, and fast. The only thing left was to figure out how.

Just as her last three minute nightmare was coming to an end, she glanced around the room. Surprisingly she saw something that made the evening even worse than it already was. There on the other side of the room, sitting at a table, was Jeff. The man who rocked her world. The man she wanted with every fiber of her being.

He was seated with a drop dead gorgeous brunette who had the tightest little number on she had ever seen. The woman's extra large sized breasts were pushed up and out for every guy to see. There was no way to miss them.

Nico tried to finish off the last few moments of her meeting with her current so-called date, but her attention kept shifting back to Jeff. It didn't help that the woman he sat with was throwing herself at him. The flirtation couldn't have been any more obvious, especially considering her leg was rubbing his up and down before it disappeared above his knees. One of Jeff's hands was also under the table. She could only imagine what he was doing. Actually she didn't have to, she knew exactly what he was doing and she wished she wasn't here to witness it.

Buy Now at
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Bestselling Author Of Romance & Erotica

www.savannahchase.com

SERIOUSLY ADULT PROMO: What would you give up for love?

What would you give up for love?
Nothing when you can have it all...

All or Nothing [The Heroes of Silver Springs 4]
Available in e-book at
_http://www.bookstrand.com/product-allornothing-11015-192.html_

or in the All for Love print collection at
http://www.amazon.com/gp/product/1606014137?ie=UTF8&tag=tonyramabesta-20&linkCode=as2&camp=1789&creative=390957&

Bailey Lamont's struggle to come to terms with a past that left her nights filled with nightmares and her days consumed by fear ends with a surprising reward. Finally, she has the two things she wants most in life: a satisfying career and the heart of the man she loves. But will Tripp Barrett's hardheaded determination cause her to lose it all?

Lieutenant Tripp Barrett may be down, but he is far from out. When an injury threatens to end his career, he refuses to sit around and wallow in self-pity. One way or another, he will return to the life he worked so hard to obtain.

But is that life the one that is centered on his career or the one he's just begun to share with Bailey Lamont? Can he have them both or will he be forced to give up one love in order to keep another?
~~~~~~~~~~
Tripp kissed her and Bailey melted in his arms. Yes, this was what she wanted, what she needed. She let her fingers return to the waistband of his jeans, went back to fumbling with the button. Dammit! It shouldn't be so hard to unfasten. Finally, she gave up and simply slipped her hand inside his pants. She found his cock hard and ready and when she managed to wrap her fingers
around his shaft, the sound he made was pure heaven. But his pants were too tight for her to explore the way she wanted to and she couldn't get to his cock, to stroke his shaft the way she wanted to in this position.

"Help me," she all but growled the words as she wrenched her mouth from his. "I can't get it undone."

He laughed. Laughed! Damn him. But instead of helping her, he caught her arm, pulling it from his pants. "I'll help but," he stopped and shook his head, "I'm trying to figure out how we're going to do this. I'm afraid I'm going to hurt you. Your wrist."

"I'll put it above my head," she said quickly. He released her arm and she went for the button of her own jeans instead. Wouldn't you know it? That button all but fell off in her fingers. Why wouldn't his do that? "You can even tie my fingers to the headboard if you want." She yanked on the zipper and wiggled her jeans down over her hips, let them fall to her ankles and stepped out
of them.

"Bailey." He was laughing at her now. God, she loved the sound of his laughter. It was something else she needed right now, to keep this moment light, fun.

"I understand that you don't want to hurt me." She glanced down at the pullover SSFD uniform t-shirt she wore. Okay, how would she manage this one? "I assure you that not touching me, not making love to me, not unfastening your freaking jeans for me, so I can really feel you, is killing me. And while you're at it, you can help me figure out how I'm going to get out of this dammed
shirt, short of ripping it to shreds."

Tripp reached for her again, this time taking her hand in his and pulling her toward the bedroom. His house was a one-bedroom loft, the bedroom at the top of a long hardwood staircase. He led her up those stairs, taking each step slowly, reminding her with each step of the injury to his back, of the brief conversation she'd heard between him and the captain back at the hospital.

He moved well these days, with rarely a limp of any kind, with or without his cane. Had she heard him right? Was he planning to return to the fire department? The chilling sense of impending doom returned, threatening to kill the light, fun mood she'd attempted to put on this moment, but just as quickly, it fled as they reached the top of the stairs and Tripp walked her to the edge of his bed. He turned her to face him, his hands moving to her waist and inching their way up under her t-shirt, and she forgot all about conversations, about careers, about everything, except the amazing feel of his work-roughened hands on the smooth bare flesh of her sides, her rib cage, her breasts.

God, yes! When his hands cupped her breasts, she felt so giddy from the pleasure that she actually laughed. Her laughter lasted only seconds, though, because he pushed her bra and shirt above her breasts, leaned in, sucked one already taut nipple between his lips and, sweet baby Jesus, her knees went weak. He caught her, his arm encircling her waist, but not before her legs buckled and she sat down on the edge of the bed. It caught him off balance, her going down, and he went down with her, on top of her as they fell back together on the mattress laughing.

Tripp was instantly contrite. He lifted his upper body to rest on one hand beside her and gazed down at her, worry and fear swirling with the heat and desire in his grayish-blue eyes. "Oh, God, did I hurt you? You're arm..Are you okay?"
"I'm fine," Bailey assured him, still laughing. "My arm is fine. We're okay. Better than okay. Do it again."
"Do it again, huh?" His gaze turned the consistency of molten lava as he glanced down at her exposed breasts, licked his lips, and then met her eyes once more.
"Don't look at me like that unless you intend to kiss me," she warned, completely unable to keep herself from squirming beneath him. In truth, she loved when he looked at her that way, like she were his princess, his heart, his smorgasbord of delightfully tasty treats just waiting to be devoured.
"You mean like this?" His mouth lowered to hers, his lips brushing hers in a featherlike caress. "Or this?" He outlined her slightly parted lips with the tip of his tongue, then licked his way over her jaw, her chin, down her throat. "Or would you rather me kiss you like this?" He moved lower still, bending his head until, yes, once again his lips closed around her nipple.
"Yes. Yes!" Bailey cried out as he gently nipped the tip of her engorged nipple with his teeth, then lightly soothed with a lick of his tongue. He alternated from a tender bite to a soothing lick, until she writhed beneath him, her back arched, the fingers of her uninjured hand digging into the sheets on the mattress at her side.

"Tripp, please!" Flames erupted between her legs, her pussy burning to be touched, to be entered, dear God, to be fucked. She wanted him inside her, needed him inside her. And he still had on his freaking jeans!

She wrapped her legs around his waist, locking her ankles behind his back, and lifting her heat to his crotch. Her panties were little more than a thin strip of satin, soaking wet satin thanks to the juice-flowing things he was doing to her breasts, and they did nothing to protect her sensitive folds from the roughness of his denim jeans. She rubbed herself against him, creating a
friction that had her spiraling to the edge of release.
"Tripp, I'm going to-"
"No, you're not." He let her nipple fall from his mouth as he lifted his head to look at her. His eyes blazed with the same heat she felt coursing through her entire body. "Hold it back. Don't cum yet. Not until I'm inside you."
"Then you better get inside me fast because I'm not sure how much longer I can wait before I explode."

He moved off of her, shedding his shirt, his pants in record time. She didn't think she'd ever been so grateful that he preferred to go commando. It was fewer clothes for him to take off now. He reached in the bedside table drawer, removed a condom, and covered himself, protecting them both. But he didn't throw himself down on top of her and slam his cock inside her eagerly awaiting pussy as she hoped. No, instead he just stood there looking down at her, that heat in his eyes taking on more intensity than she'd ever witnessed in any fire.

"Damn, you're beautiful," he whispered, almost in awe.
Bailey pointedly let her gaze slide over his broad shoulders, his slightly hairy chest, down his washboard abs and flat stomach. When she reached his cock, large and long and standing at full attention against his body, she let her gaze linger for a long time before she slowly met his eyes again.

"Damn,"she whispered. "So are you."
He laughed, a short burst of fiery sound, but still he didn't move.
"You're killing me again," she told him in a singsong voice. But that was okay because she knew how to kill back. She lifted her hand, touched the inside of her knee, let one finger trickle down the inner side of her leg, her thigh, lower.

He watched her, his expression riveted, his breath growing more rapid the closer her finger got to her pussy. When she traced the outside of her pussy lips with that finger, she heard him make a low sound in his throat suspiciously like a growl and she laughed.

It got the response she was looking for. Thank you, Jesus. He climbed between her legs and then, oh baby, he was inside her. He needed no guidance or finesse. With one skilled, practiced move, he thrust inside her awaiting heat, ramming himself all the way to the hilt. Bailey cried out at the penetration of his cock, hard and thick, spreading her tight, slick hole. He filled her to the point of bursting and, holy mackerel, it felt so amazingly fantastic that dying from the sheer bliss of it seemed a real possibility. He knew she liked it fast and hard and he gave it to her, thrusting inside her so deeply, he reached the end of her womb, pulling out until only the head of his dick was still inside her opening before plunging in again.

Tonya Ramagos
_http://www.tonyaramagos.com_

THE HEROES OF SILVER SPRINGS
Trained to protect. Willing to die. Ready to serve...in bed and out.

Caught Off Guard
Twin Games
Stormy Nights
All or Nothing
A Siren Publishing Bestselling Series Available at
_http://www.sirenpublishing.com/tonyaramagos

INTERVIEW: with Carolyn Howard-Johnson, co-author of Cherished Pulse ~ Poetry ~ Compulsive Reader

Interview with Carolyn Howard-Johnson, co-author of Cherished Pulse ~ Poetry ~ Compulsive Reader

Conducted by Lucille P. Robinson

LPR: Carolyn Howard-Johnson is an award winning author, poet, lecturer, and University instructor. She loves to travel and speaks at various writing conferences. She has appeared on nationwide television and radio. Her fiction, non-fiction and poems have appeared in many anthologies, magazines and newspapers. Thank you, Ms. Howard-Johnson, for permitting me to interview you. I just have to ask. Which came first: writing poems, fiction or non-fiction and what was the first writing you had published?

CHJ
: I was a journalist first. For my high school newspaper and then, at the ripe old age of seventeen, as a columnist and staff writer for the Salt Lake Tribune. By the age of nineteen, I was an editorial assistant for Good Housekeeping Magazine. I didn't start doing anything really creative until only recently. LPR: I read The Frugal Book Promoter and plan to read The Frugal Editor when it comes out. They are books about promoting and editing one’s books with the least expense possible. Will you describe how you came about putting this material together?

CHJ
: Well, I'm naturally thrifty, raised by depression-era parents! But I also spent a small inheritance from an aunt for a publicist for my first book. When I realized that she didn't do anything for my book I couldn't do for myself, I resolved to do what I could to never let the same thing happen to another writer. Of course, I don't have that much power, but I'm chipping away at it, one book sale and one author at a time. (-:

LPR
: Are these books part of a series you are planning? If so, can you give us a hint as to what the next book will focus on?

CHJ
: I'm trying to decide on Frugal II, Advanced Promotions for Authors Whose Books are Languishing and The Frugal Author Builds an Agent-Friendly Package. Which do you think I should do? (- Those interested in the How To Do It Frugally series of books can learn more at www.HowToDoItFrugally.com. This series really is a return to my journalism days. Non-fiction can be really fun.

LPR
: You have written some fiction. Describe the type of fiction you like writing and tell us what you have published in this genre.

CHJ
: Oh, it's probably easier to just tell you it has become my first passion. Not only in writing but in life. I conceived This is the Place at the age of 18 and it gestated until cancer gave me the nudge I needed to write it--some three decades at least. A very long pregnancy. Almost all my writing deals in some way with tolerance; I think intolerance is at the foot of all the ills that face the world today, including 9/11 and Iraq. Sometimes it is subtle and even gentle. But if we don't watch the little tendencies in us not to be accepting then we are nourishing an evil that will grow and get more destructive as it does. People can find more about my books of poetry, my novel, my creative and creative non-fiction at www.HowToDoItFrugally.com and then click on the "Published Works" tab.

LPR: You have co-authored a book of poems called Cherished Pulse. Who is your co-author and how did you decide to get together and produce this book of love poems?

CHJ
: Oh, I love that project. Magdalena Ball (an Aussie) and I connected through her CompulsiveReader.com site. We started talking poetry. We both prefer poetry that isn't too sing-songy, syrupy sweet so this idea of an unconventional book of love poetry came to us. It's called Cherished Pulse. I think it's a wonderful story of how the Net can bring people together in all kinds of ways.

LPR: What form are your poems written in, what are their topics, and do they develop from life experiences? What do you like most about writing poems?

CHJ
: I love to write poetry because I can fit little snippets of writing into a busy day. Quite unlike writing a novel. But more than that, it is (or, in my opinion, should be) very personal so it is great therapy. And I believe all creative writing develops in some way from life experiences. And my poetry--if you ignore the lines--reads more like than prose than poems. I rarely rhyme (sometimes unintentionally though!). Most of it is free verse.

LPR
: You said that poems say much more in fewer words than other writings. Sounds like you like tight writing; writing that has no extraneous words or phrases. Does this preference carry over into your other writings? If so, how do you handle description of settings and people, which seem to need more words than poems need?

CHJ
: I think this does carry over to my other writing but more so each year. Poetry is about images, not adjectives. They say "show don't tell" for fiction. Images and scenes help a writer both write tight and show rather than tell.

LPR
: As mentioned before, you are a very busy woman. How do you find the time to write? Do you follow a particular schedule?

CHJ
: Oh, how I wish!

LPR
: Do you speed write a first draft and then spend your time editing it or do you outline first?

CHJ
: I try to do it that way. It is truly wasted time for any writer to perfect a first chapter and then find that it isn't the first chapter. Or worse, that it doesn't fit into the finished novel at all!

LPR
: What authors have inspired your writing of the Cherished Pulse and Tracings?

CHJ
: My mentor is Suzanne Lummis, one of the well-known Fresno poets . Her poetry is very different from mine but she has shown me so much about digging deep and keeping my writing spare.

LPR: Have you any favourite writing tips you can share with beginning writers?

CHJ
: The one that comes to mind in this moment is a warning. Don't let your fear of having an idea or your work stolen keep you from writing and publishing. Plagiarism is a lot rarer than we are led to believe. I'd rather have a poem of mine credited only as anonymous read by a million people than read by 100 with my name on it.

LPR:
You have a good imagination, Carolyn. Would you mind suggesting three topics that would be good for poems?

CHJ:
I like the concept of found poems. That's perfectly legitimate in the poetry world. See a phrase that sings to you and let your idea take off from there. If you use the phrase exactly, you can credit whoever said it first, of course.

LPR:
Thank you. Finally, where can we buy Cherished Pulse?

CHJ:
Go to http://www.compulsivereader.com/html/images/cherishedpulse.htm. Maggie, my co-author, sends you this beautiful little e-chapbook as an e-book but also as in a landscape document so that it can be printed out like a real book. You'll love the artwork by Vicki Thomas in color! Just exquisite.

LPR
: Thank you for sharing your thoughts and ideas with us. It's been a pleasure to speak with you and a most enjoyable interview. Good luck with all your future endeavours.

CHJ: It has been fun being with you. I like to leave people with a tip when I can (I even do that with my column "Back to Literature" at MyShelf.com). This is for all of your readers, not only the writers. Pick up a copy of Grammar Snobs Are Great Big Meanies. You'll learn tons about grammar, improve your writing--even the writing of personal or business letters--and have fun doing it. It's by June Casagrand and is from Penguin. Oh! While you're at it, you can add another book to your order on Amazon and get free shipping and pay no tax. Now, is that FRUGAL, or what? (-:

INTERVIEW: with Shannon Emmel Conducted by Lucille P Robinson

Interview with Shannon Emmel

Conducted by Lucille P Robinson

LPR: Shannon Emmel is the author of Touch Me Not. Ms. Emmel, please give us a brief summary of your book and tell us a little about yourself.

SE: I think that before I give you a summary of Touch Me Not, I should first explain the concept behind it. The Lotus Circle (TLC) is a fictitious secret society that dates back to ancient Egypt. The origin story says that the women of TLC possessed great gifts that they used to help all of mankind— regardless of their station in life. Their gifts and their history were passed from mother to daughter, but both were nearly lost when men of religion and politics sought to either control or destroy them.

In the introduction to the book, Sadira says that everyone has a story and a part to play in the game we call Life. Touch Me Not is her story, not mine. It is the story of just one of the five women at the heart of The Lotus Circle whose combined talents are required to resurrect its practices and beliefs. Sadira's journey takes her on a winding path to her higher-self, but teaches her the lessons she needs in order to finally embrace her destiny. Her story is also the only one that primarily takes place BEFORE the five women are brought together.

In fact, Sadira's story ends as The Lotus Circle begins. Which is NOT to say that we've seen the last of her. She and the other founders of The Lotus Circle will be close at hand, (at lease on paper ;o) and you never know when or where fate will guide them. What you can be certain of is that Sadira and the sisters of The Lotus Circle will ALWAYS turn up when they're needed the most!!

LPR: I am terribly interested in the people who claim to have such talents as described by the women who finally got together at the end of the story. Do you actually have this special touch of healing that Sadira Montgomery displays? If so, tell us a little about its effects on you and your life.

SE: As far as my own abilities, I have used touch and empathy to relieve pain in others, but nothing to the extent of the healing described in the book. The original premise of the book began with the questions, “What if you actually had the ability to heal anything with a touch of your hands? What would you do?” At first glance, it seems that it would be an ability that could be used for the ‘higher good,’ and that anyone would gladly embrace.

But if you take it a step further, stop and think of what your life would really be like after news of this miraculous gift got out. Even in today’s ‘enlightened society,’ skeptics would do everything they could to ‘debunk’ the reports, religious groups would either praise you as a ‘saint’ or claim that you do the devil’s work, and the sick and dying would invade your every waking hour with desperate pleas for help and hope.

Then, there’s the entrepreneurial few who would seek to wrap you up in a neat little package that they could market and sell to the highest bidders.

Where would you draw the line? When do you stop and say, “I’m only one person…I can’t heal the entire world!”

In effect, what Sadira chooses is to deny her gifts, rather than subject herself to public ridicule. At least until she reaches a point in her life where she understands that she can use her gifts without announcing them to the world and where she trusts that fate will guide into her life those who need her most.

LPR: Do you have any of the special talents listed by the story’s characters? Do you know anyone with these types of skills? Is a person born with these skills or are they taught them?

SE: If you’ve ever attended a conference or national convention that brings creative people together, you find that most writers/ artists/musicians, etc., admit to ‘abilities’ of some kind. It makes sense when you consider that the energy they must tap into in order to ‘create’ is part of the ethers—the same universal energy— through which so-called paranormal abilities are also channeled.

I have found that most people, especially women, have varying degrees of psychic/paranormal ability. Nearly everyone you ask will admit to things like ‘first impressions,’ déjà vu and intuition. The difference lies in the individual’s willingness to listen to the messages they receive, their ability to interpret them and their belief in what they are experiencing.

The ways in which people receive messages are as different as the individuals themselves. Some are given flashes of images that they must learn to interpret, sometimes accompanied by a particular scent or emotion that helps in the interpretation. Others see events as though they are watching a movie, but still have to determine whether what they see is in the past, present or future. In other cases there might be a single word or phase that they hear, and again they must find the meaning attached to it. Sometimes it’s a combination of all of the above!!

For me, I don’t see or smell things, or get words or phases that I have to interpret. If I get a message I am supposed to pass on to someone whom fate has guided to me, I get the entire message as though the fully formed thought is ‘dropped’ into my mind. In those instances, there is no need for me to interpret anything. It is up to the recipient to take the information and to do with it what s/he will. No tools of divination (i.e.: cards, runes, crystals, etc.) are needed when I receive these messages. I’ve never been one to ‘lecture’ and I rarely offer my opinion unless asked. Consequently, my friends and family learned long ago that if I say, “Be careful,” it’s not a mother’s habitual parting statement and if I go so far as to say, “Don’t” do something…they listen without question.

Although I use both Tarot and runes, I don’t do structured readings. The exception being occasional Tarot readings that I do at charity events, like Heather Graham’s annual ‘Vampire Ball’ at the Romantic Times Booklover’s Conventions. Then, I leave it to my guides to provide the messages needed for the cards that are drawn. (Which may or may not correspond with the traditional meanings of the cards set before me.)

Which brings me to the next part of your question…Anyone can learn the literal meanings associated with the different cards in a particular Tarot deck and regurgitate that information upon request. The inherent gift lies in the ability to go beyond the meanings and images drawn for the recipient and to call upon your personal guides, spirits and angels for the information that is pertinent to the situation or question. Since I believe that everyone has some ability, I therefore also believe that they have the capacity to develop their natural talents to their highest potential.

LPR: Did the idea for Touch Me Not come from your association with The Lotus Circle or a desire to tell your own story? Did you have to do a lot of research for it?

SE: I’ve pretty much explained where the idea came from, and the entire process was triggered when I first read the fictional origins of ‘The Lotus Circle’ in the early stages of Jasmine-Jade Enterprises’ development of the TLC imprint. As far as research…well that’s a little harder to explain.

I had the general story outline, as well as the TLC origins and the other four female characters (Leilani, Olivia, Temperance and Ursula) who would need to be incorporated in order to ‘resurrect’ The Lotus Circle at the end of the story. However, the actual scenes in the book where Sadira uses her gifts were shown to me as I wrote them. I saw, in vivid detail, what the character saw. The shifts in the auras, the quickening of her pulse, the heat in her hands as she worked, etc.

I have to add that none of what I saw as I wrote is anything that I have personally experienced, therefore writing it was a total leap of faith. Faith in the angel, guide or muse who came forward to assist me. It wasn’t until after the book was finished that I consulted ‘healers’, both Reiki and Therapeutic/Light Touch, and verified that the process I described was dramatized, but essentially accurate. The only other real research was to make sure that the wildlife and Native American populations existed in close enough proximity to Sedona, Arizona to make it a believable setting.

LPR: About your writing preferences, Ms. Emmel. What authors and/or books have inspired your own writing?

SE: I have been a voracious reader since I was old enough to hold a book in my hands, so picking specific influences and favorites is difficult. My tastes also vary with my moods but in general, my preferences lean toward books that either leave me feeling upbeat and satisfied, or when it’s over just make me say, “Wow, I want more!”

I like to be entertained. I like to laugh and cry happy tears. I like to be challenged. I like to be transported to a place that only the written word can take me. I enjoy science fiction, futuristic & fantasy, time travel (both futuristic and historical), urban fantasy (Vamps and Werewolves and Witches, oh my!) and anything with an unusual or paranormal twist.

I don’t care for straight horror, (or anything that scares the begeezus out of me!), politically based stories or unnecessary /graphic violence.

Having said that, some (but by no means all) of my favorite authors are Marilyn Campbell, Heather Graham, J. K. Rowling, J.R.R. Tolkein, Anne Rice, Katie MacAlister, Jayne Ann Krentz, Laurell K. Hamilton, Bertrice Small, Virginia Henley, Jennifer Ashley, Cheyenne McCray, Edith Layton, Laurie McBain, Chelsea Quinn Yarboro, Anne McCaffery, Jennifer Cruisie, Mary Janice Davidson, Linda Lael Miller and the late Kathleen Woodiwiss.

LPR: How do you fit writing into your daily life? In other words, do you have to fit writing around a day (or night) job?

SE: I took six months off from a regular ‘day job’ to stay at home and write. Unfortunately, the longer I stayed at home, the less writing I got done and I just recently made the decision to go ‘back to work.’ I find my most productive/creative time to write is between 9pm and 2am and that despite my best intentions I really don’t get much done through the day. I’m used to working and writing and find it difficult to focus during my peak times unless the rest of my day is used in a productive (but non-creative) way. I guess for me, it’s balancing the left brain and right brain aspects of my life. I also work best under pressure.

LPR: Do you write an entire first draft before editing or do you edit as you write?

SE: Both. I write as much as possible in a given day. When I begin the next time, I review what I wrote on the previous session to get ‘back in the groove’, edit for content as needed, then move forward. I don’t begin line editing until the entire story is complete.

LPR: Concerning writing, what would be a most important piece of advice you can give an aspiring writer?

SE: First, read as much as you can and expose yourself to different authors and styles to see how ‘the pros’ do it. Not to mimic them, but to understand that each author has his or her own distinct ‘voice.’ Second…write! Anything and everything you enjoy, until you find what suits you best. Only then will you find your voice and begin to fine tune your skills. Third, join or create a serious critique group. Not one made up of friends and family who praise everything you do, but those who are knowledgeable in the technical aspects of writing and who will challenge you, question you and push you to polish every word, sentence, paragraph and page until it shines!

LPR: Can you offer two or three writing prompts to your writing fans?

SE: I always played, “What if?” Just as I posed the question above about what would you do if you had the ability to heal, you can use the same technique (either alone or with a group), to begin your own story. Here are some suggestions for a variety of tastes.

Do you like mainstream fiction/personal stories that touch the hearts of everyone at some point in their lives? What if you found you only had one year to live? What would you do with your life? What would the repercussions be for those you leave behind? Do you tell them or not? How do you cope with the ‘stages’ associated with death and dying? If you’re dead…how are you telling the story? (Now there’s something to think about!)

Enjoy paranormal elements? What if your great-grandmother passed away and left you a family heirloom with a magical power? How did you learn it had special powers? What kind of heirloom would it be, what would it enable you to do and if granny never used it or spoke of it.…why not? Could using it have dire consequences? Are those consequences personal or global? What could you gain, or more importantly, what would you risk losing, if you accessed its powers?

Are you more into suspense or horror? What if you started having nightmares and began noticing what you read in the morning paper was eerily similar to your dreams? What if the similarities became greater as the days passed? What if you began to suspect that you were somehow influencing real events with your dreams? Do you try to prevent tragedy from striking? Who would you tell? Who would believe you and why? Finally, what happens when it becomes personal, when you see someone you know and care about in your nightmares? What if you see yourself in the dreams?
. It’s full of info
I, like most writers, could go on and on and on with story starters like these. The trick is to be able to find one that sticks, that holds your interest and makes you want to write the entire story! It also helps when the characters begin to come to life and if you’re fortunate enough for them to begin speaking to you, and eventually through you— then you’ve got a real story that won’t let you stop until it’s been told!!!

Creativity has its downside though. Sometimes, there are so many stories and so many characters vying for my attention that I have to bargain with my muses. I’ve found that if I jot down the ideas with a promise to work on them as soon as the project at hand is complete, then ‘they’ usually leave me alone long enough to finish the story I’m working on ;o)

LPR: Will you give your readers an idea of what your next book will be about or what you’re working on now?

SE: I can give you info on at least one of my projects! Antonella Kopelakis, Sadira’s eccentric and disgustingly rich friend, will be back for more in Midas Touch, which is the sequel to Touch Me Not.

Those of you who have read my book, probably realized that there’s something different about Antonella, but couldn’t quite figure out what it was. In Midas Touch, you learn that she has the ability to see past, present and future events by touching a person or object. She also has a natural talent for making money. The two make a combination that someone wants at any price and whether the cost is Antonella’s heart, or her life, is in the hands of fate.

LPR: Thank you for your time, Shannon Emmel, and for the story Touch Me Not. Thanks, also, for the story prompts. We wish you the best for your future writing endeavours. I look forward to reading your next book.

SE: It’s been my pleasure and for the latest news, photos and more, check out my website: and interesting links to other TLC books and psychic resources. Readers can also ‘contact me’ or view my BLOG through the website. Happy reading and remember…Everyone needs a little TLC!




Lucille P Robinson
Alternative-Read.com
http://blog.lucilleperkinsrobinson.com

INTERVIEW: with Cheryl Dragon Author of I'm Okay, You're Dead and I'm Okay, You're A Fake Interview conducted by Lucille Perkins Robinson

Interview with Cheryl Dragon Author of I'm Okay, You're Dead and I'm Okay, You're A Fake

Interview conducted by Lucille Perkins Robinson

LPR: Have you written anything else besides these two books, Cheryl?

CD: Yes, I also write erotic romance. I currently have a paranormal BDSM with Ellora's Cave called An Extreme Haunting. I have several more erotic romance books scheduled for release with Ellora's Cave.

My more alternative titles are available from Loose Id. A m/m BDSM for Hanukkah titled Bad Brad and a f/f erotic romance titled Sorority Girl Pledge Time are both releasing in December.

LPR: Do you have any special powers yourself?

CD: No, I have no special power that I practice or make a profession of. Many of The Lotus Circle authors are mediums or psychics who work in that area in addition to their writing. I'm a dull accountant by day: I do however possess a strong intuition and trust my instincts more than the average person. I do extensive research and read as much as I can on the topics I write about. I have more coincidence and deja vu than anyone I know and some do accuse me of being a closet psychic.


LPR: Have you ever seen a ghost or angel or demon?

CD: I'm not a very visual person. Everyone has some senses that are stronger and others they rely on less. I'm much more a feeling and audio person. I've certainly felt a presence but no visuals.

LPR: Have you ever seen a vision?

CD: The closest thing I've had to visions are dreams that end up coming true. It can be a year later and I'll find myself in the exact situation I dreamt. I take it as a sign that I'm on the right path and to keep going.

LPR: I find your writing very good. How long have you been writing? Have you taken courses or workshops to help you write?

CD: Thanks! I've been writing seriously for about 7 years. I've always wanted to write since I was little but I come from a practical family where people don't live their dreams. It took me a couple of years out of college to balance those issues. I've attended a lot of workshops/conferences to improve my craft in various areas. You never stop learning or growing, that's the fun of writing.

LPR: Do you spend a lot of time writing or just a set number of hours per day?

CD: The amount of time all depends. Once I've started a project, I usually write at least one scene a day. One chapter if I've got the time. I don't count hours, but pages. Some stories fly out of my mind and others have to be pulled.

LPR: Do you write a first draft and then edit or edit as you go along?

CD: First draft always. I find it works much better to get the raw story down on paper and then work through any kinks or questions. Then I'll do an edit pass or two. To me it's no use to edit things as I go when I might change a scene or add something later.

LPR: Do you use an outline, notes or just write as the thoughts flow?

CD: I do chapter notes. They're fairly short and flexible but with suspense books especially, I need to have the structure of the external plot blocked
out.

LPR: Many authors say their characters talk to them. Is this true for you?

CD: Not exactly talk. As long as I'm writing and being true to the character, the characters just play along in the scenes. However, if I'm trying to make the character do something he/she wouldn't do I find myself blocked and I have to step back and the let the character do what they normally would.

LPR: Can you give me a hint as to what your next story will be about? Deanna Oscar looks like a good series character to me. Of course I live in
Louisiana so I guess I'm partial to her. [smile]

CD: De's next book is called I'm Okay, You're Haunted. I'm still working on it but she'll be faced with a bunch of troubling ghosts a few teenage girls
called forth. One ghost particularly tangles in her own life, unearthing some of the mysteries in her family and house that she's been very curious
about since she moved in. Louisiana is such a wonderful and diverse place and so much feels foreign to a Yankee like De bringing out the history and
how it fits into her family.

LPR:Thank you for taking the time out of your busy schedule to do this interview.

Visit Cheryl at her website:
www.cheryldragon.com

PROMO: Hell Dogs Squadron:Touch and Go by AR Moler (M/M)

Hell Dogs Squadron: Touch and Go
by A.R. Moler

Navy F/A-18 pilot Lt. Cameron Bradshaw juggles a second government job in addition to his military commitments. He's a psychic finder for a mysterious agency known as Division P. Just as he is beginning another assignment for Division P, he is the victim of a nearly lethal motorcycle accident.

If not for the talents of a gifted healer by the name of Dr. Mason Flynn, it is doubtful the Lt. would have survived. As the slow process of recovery begins, Mason Flynn is drawn to the injured pilot. A mix of shared psychic talents and physical attraction is slowly binding them together. But when Cam's roommate is murdered, the pilot's life may be in danger yet again

Play-Doh, Legos & Stoichiometry
http://playdohstoichiometry.blogspot.com

BOOK EXCERPT: ADULT promotions for Sex Party by Natalie Acres

EXCERPT from Sex Party by Natalie Acres

When they first walked into Clink, heads turned. Peyton saw a few recognizable faces and one or two women dropped their jaws when they saw who led her through the crowd. A lot of gals loved the Cartwell men and if Peyton had to guess, they typically showed up at Clink alone.

She headed to the ladies room and fully expected to find Evan waiting for her when she came out. Sure enough, he waited there with his back against the wall.

"Such a pretty little school girl," he said as he licked his lips. Nothing but lust existed in his eyes and when his gaze fell to her chest, so help her she felt flames around her nipples.

She walked ahead of him. Her misfortune of the night fell back on her desire to play the part with Loy. She'd dressed in a red plaid skirt, white blouse and cream stockings. Now, Evan planned to parade her around and make her pay for such a mistake.

By the expressions washing over many faces in the room and by the need-ridden stares some of the Doms there gave her, he might wish later he'd reconsidered. Peyton stopped before they reached the dance floor, stepped out of the way long enough for a group to pass.

"I'm going to lick your pussy right here in front of everyone," he said.

She called out over her shoulder. "Really, Evan. You need to learn to keep that wicked tongue of yours in your mouth."

Some words should never leave a woman's mouth.

Evan grabbed her hips and moved her into one of the many hidden alcoves lining the walls of the club. The semi-private spaces were somewhat secluded because of the partitions but if anyone walked closer and looked down, the acts of sex were easily witnessed, if anyone wanted to check for confirmation. At Clink, even curious cats seldom approached a couple in the throes of passion.

"Evan, if you think I'm going to fu.ck you here, then you're wrong."

His lips brushed past hers, and he pressed her against the wall. Holding her lower half with his left hand, he gripped her hip bone and simulated the sex act as he moved into her over and over again. His eyes flickered with out of control lust.

The music in the club maintained a certain beat, and her head swam. It filled the club with a creative aphrodisiac. Peyton felt alive. Her nerve endings were sensitive to his touch, and everywhere his fingers caressed, she immediately craved his kiss.

His lips fell to her neck, and he growled as he kissed the same places where Kane's lips had once been. Three love marks were planted across her neck, and he licked past them as his cock pressed into her center. The hard rod pleaded for the act itself. A little grind here or there didn't quite manage to accommodate.

Evan rocked her body against his as her hands settled, without a grip, against his shoulders. He framed her face and didn't just make love to her mouth but he fuc.ked it with his tongue, making sure those who watched understood what kind of actions backed up his kind of kiss.

She stood on her tip-toes when he released her and wrapped her arms around his neck. With a wicked grin, he nibbled at her lips. "Liked that, did ya?"

"I want more, Evan." She swallowed realizing what she asked him when he lifted her skirt.

Before she realized how quickly he worked, Evan's cock was out of his pants, and he dragged her body from one side to another against the length of his hard-on. With a slight warning, only one, he fisted her hair in his hand, and he kissed her still deeper than she was ever kissed in public. At the same time, he penetrated her. A slight impalement, but his cock moved inside of her nonetheless.

"Evan," she whispered. "Everyone is watching."

"Honey, they might watch but most of them are doing the same thing we're doing, and if they aren't, they will be by the time I'm through with you."

He jerked her hips forward, and began to move with her. He bit his lower lip and tilted his head back and watched her. The look he gave her was one meant to inspire orgasms. He gritted his teeth and his upper lip curled like it pleasured and pained him to finally get his cock inside of her. His thick dick ripped through her channel, and he shot her a devilish grin before he began to grind.

"Now, this is heaven."

A sigh and a grunt left his lips, and they both looked down on the obvious act of sex. He pulled out long enough to let her see her own juices covering his shaft and then he yanked her legs around his waist.

"Heaven help me, Peyton. I'm going to fu.ck you hard right here."

"Evan, everyone is—"

"Horny," he said.

http://www.bookstrand.com/authors/natalieacres

INTERVIEW: with Rebecca Benston ~ Under Lock and Key ~ The Rona Shively Stories

Interview with Rebecca Benston ~ Under Lock and Key ~ The Rona Shively Stories

Conducted by Alternative-Read.com Reviewer, Lucille P. Robinson (LuPerkins).

LPR: How would you describe your book Under Lock and Key?

RB: I’d have to say it’s full of surprises! Rona does a lot of different things in this book. She’s in disguise, she’s dealing with the police, she’s helping a lady find her son. She’s trying very hard to be helpful and this is out of character for her.

LPR: Under Lock and Key is the second book in “The Rona Shively Stories.” Please tell us a little about the first book In the Wash.

RB: In the Wash is the first Rona Shively book. This is where we meet the character and we find out that she’s sarcastic, practical, and not above turning to a friend for help. Although she doesn’t like asking for help, she will do it if she knows there is no alternative. Rona is very pragmatic. She doesn’t believe in sugar-coating things and she generally does whatever she needs to do to make something work. During the course of the investigation, she crosses paths with some very shady characters. She spends a lot of time looking over her shoulder, but she doesn’t run away from the challenge.

LPR: I have read In the Wash and Under Lock and Key. Could you supply our readers with an outline of your key character Rona Shively? What makes her tick?

RB: Rona Shively is thirty-eight years old, never married, no children. She is nowhere near being a domestic goddess and she isn’t actually very good at being a PI. She knows how to find shortcuts and she uses her contacts to get information even when she might be trying to avoid them. Rona is very self-sufficient and she doesn’t like to ask for help. Although she isn’t afraid to admit when she needs help, she really hates to ask for it. She’s been on her own since she was a teenager. Having left home after several years of arguing with her mother, Rona stays in touch with her sister and her father. She doesn’t call them every day, but she tries to make sure they know she’s still alive.

Originally, Rona is from a small town in Ohio. She left there when she caught her mother having an affair and the two of them had a knockdown, drag-out fight. Rona hasn’t spoken to her mother in many years and hates that she never told her father why the two weren’t speaking. She was never a bad kid, but she wasn’t a standout either. She finished high school in Nevada and didn’t do much after that aside from the bare minimum needed to obtain her PI license.

Rona doesn’t let guilt consume her and she has few regrets about the way she has done things in her life. She often wishes she had made better choices, but she doesn’t beat herself up too badly for not being an overachiever. Life is life, and sometimes it sucks. That’s her attitude. That’s why we love her.

LPR: Why doesn’t she display the martial arts skills that so many writers give their private investigators? Why did you choose this character as the lead in your series?

RB: She doesn’t have any skills, other than quick wit and the ability to cut people down to size with a few well-placed insults. Rona can fight, but it’s more on the level of street-fighting. She knows how to shoot a gun, but she’s not an expert marksman. She doesn’t actually hit like a girl, but she probably won’t do much damage with her fists. Mostly, she isn’t scared to kick a man below the belt and she knows a couple of ways to fend off attackers. Luckily, she’s usually able to spot trouble before it happens.

I created this character because I could identify with her. She is something like I would be if I had chosen a more dramatic lifestyle. She is that part of myself that I probably will never become.

LPR: What helped you decide to write a mystery series?

RB: I enjoy reading mysteries. I am an avid reader of Janet Evanovich, James Patterson, Lisa Scottoline and Sue Grafton. I wanted to see if I could create a character that people would like as much as I like the characters I read.

LPR: Have you planned on how many books you will have in the series or are you letting Rona, your lead character, decide?

RB: I have about six or seven more in mind. I’ve got a few ideas for how I’m going to wrap up the series if it ever gets to that point.

LPR: Have you began on a third book yet? If so, can you give us a hint about what it will be like without giving the story away?

RB: The third story will take Rona back to her hometown. She has some family issues to deal with and she picks up a new case along the way. Working for a local preacher, she finds herself in the middle of a small town scandal that could mean the end of her client’s career or the end of her life. It’s going to be a real edge-of-your-seat kind of story.

LPR: I’d like to ask some questions that other writers may be interested in learning the answers to, Rebecca. For instance, Will you describe the process by which you came to develop “The Rona Shively Stories?”

RB: I pulled out some old stories I had started and as I was trying to decide what would work best for a series, I thought about titles. I wanted to use something that could stick in the reader’s mind. Old sayings like, “It’ll all come out in the wash,” or “Keep them under lock and key,” fit what I was trying to create. I tried to pick storylines where the title could be significant in more than one way. For example, in In the Wash, the client is looking for an ex-wife that has an affiliation with a dry cleaning business. In addition to that, the big scene in the book takes place in the laundry room area of her apartment building. The secrets and lies that unfold throughout the story are just one side of how the title fits what is going on. I know some authors don’t make connections between the title and the story, but I wanted to make it something that would stick in the reader’s mind. They’re all pretty light reading, but when you look back at them I hope you can say, “Oh, that’s what she meant.”

LPR: When you decide to write a mystery, do you wait until you have the crime and all it’s clues before sitting down to write or do you let the characters write the story for you as so many authors say they do?

RB: I really like to let the whole thing unfold as I write. I have no idea who did it, what it was or why it happened until I’m right in the middle of it. It makes the whole process fun for me. When I reach a point where I have decided on all of these things, that’s when I need to wrap things up. I know that if I have figured things out, then the reader has probably figured them out by that point. I would hate to leave a reader hanging on for another hundred pages just for the sake of bulking up the story. I was always a fan of the choose your own adventure stories, so I guess this is my way of making my own.

LPR: Do you follow a particular schedule for writing?

RB: I try to write every day once I have started a book. That’s really the only way I can be sure I’ll finish. During the second one, I let up a little and took a few weeks to think about things. I think that helped me to make the story a little stronger. While I love my first book, I know that there is always room for improvement. I am hoping that taking some extra time helped Under Lock and Key to be even better than In the Wash.

LPR: Do you speed write a first draft and then spend your time editing it or do you outline first?

RB: I basically write the whole thing and send pieces of it to my sister who edits for me. As I go along, she gives me a head’s up if something isn’t making sense. This isn’t her full time job; she just likes to help me with the books. Her insights pretty much keep me laughing all the way through. She has a way of using comments in the margin to smack me in the back of the head when she spots something that doesn’t make sense. I had to put my last book away for a week after reading her suggestions, I was laughing too hard to think straight.

LPR: Have you any favorite writing tips you can share with beginning writers?

RB: The best thing I can think of is to try your damnedest not to be trite. If it’s one thing that I hate to read it’s a line that I’ve seen a million times. If you absolutely have to say something that’s been said in every other book, try your best to at least rephrase it. Being original and unique is probably your only ammunition as a writer. I’m not saying to throw out the old standards for the sake of standing out; I’m saying that out of thousands of books you want yours to be the one that says what people really want to hear.

Don’t be afraid to let that weird side of your personality overtake you as you write. If you have a different viewpoint about things, chances are, people would love to hear it. They may not agree with it, but I think readers are tired of hearing the same old lines. There’s a fine line between establishing a trademark for your characters and simply not being creative enough to come up with something original for every story.

LPR: What authors would you say are your literary heroes and which novels have inspired your writing of The Rona Shively Stories?

RB: Janet Evanovich definitely has inspired me. I love her style and how she isn’t afraid to be herself. I also love Lisa Scottoline. She is a wonderful storyteller and I never get tired of reading her work. Sue Grafton should also be included in there. Rona Shively is definitely the love child of Kinsey Millhone and Stephanie Plum.

LPR: You have a good imagination, Rebecca. Would you mind suggesting three story 'prompts'?

RB: I’ve never really done that before but I’ll give it a shot…

  1. She carefully pushed the curtain aside and found herself looking right at...
  2. It was dark and he had lost his sense of direction several hundred yards back. In the distance, he saw something that he hoped was a campfire. As he approached, his hand flew to his mouth as he observed…
  3. She looked around as she walked very quickly down the crowded street. In her hands, she clutched a brown paper bag that contained the last few remnants of her identity; an empty wallet, a shiny, gold key, and a picture of a man she didn’t recognize.

LPR: They're great! Thank you. Finally, where can we buy In the Wash and Under Lock and Key?

RB: You can buy In the Wash through Amazon.com, Barnes & Noble, or through the publisher at PublishAmerica.com. If you visit my website at www.benstonwrites.homestead.com, there are links to each of these. Under Lock and Key is not yet published, but should be available in a few months. Stay tuned to my website for more details.

LPR: Thank you for sharing your thoughts and ideas with us. It's been a pleasure to speak with you and a most enjoyable interview. Good luck with all your future endeavours. Please let us know when the third book is on the market.

RB: Thanks, I really appreciate your taking the time to talk to me. I hope readers enjoy Rona!

INTERVIEW: with Phil Harris, co-author of Waking God ~ Conducted by Katrina Stiles

Interview with Phil Harris, co-author of Waking God


Conducted by Katrina Stiles, Reviewer


KS: What made you decide to write the book Waking God? Was it your idea originally or was it something that you and Brian Doe both came up with?

PH: The idea for the book was mine but Brian came up with the title. When he did we both said, "YES!" We intuitively knew that the title was going to take us, and hopefully the reader on a journey, one that we are still on as we work on the next book in the series. The genesis of the book extends back to my childhood. I was raised as a northern Baptist until the age of around 12. In the book, Andrew talks about a childhood incident when a priest would not let one of his friend's attend a craft club because it was being held in the basement of a Baptist church. This is a true story that happened to me. I was very turned off to the Catholic religion at that point. I also noticed that the pews were always full around the holidays but a little sparse most of the time, especially in the summer. This added fuel to my spiritual fire and I began to notice the general hypocrisy of most people who attended church. Truthfully, in my early teens I began to read books on philosophy and purposely sought out religious debate with anyone willing to argue, or discuss. I found most people with a religious back round liked to argue. The whole notion of a wrathful, all powerful god that sought worship just made no sense. If IT knew we were going to screw up, why bother. If there really was EVIL, then IT must have created it. It just made no sense. Add to that the billions of dollars controlled by churches and their lack of action in dealing with things like genocide and other major world issues and you have a skeptic in the making. The whole 9/11 thing and the religious backlash kind of made the timing for the book right.


KS: Why the title Waking God? What was the thought process behind it?

PH: The title was an inspiration. A few points to mention and these deal with several debates with our editor. There are times in the book when we say 'God,' and 'god.' Our editor did not understand what we were trying to do. We both believe that God is immanent in all things. Our consciousness is evolving to understand this concept as is witnessed by string theories and various spiritual movements. Actually, mystics have known this all along. The piece I wrote about the show Beyond Positive Thinking and movies like "What the Bleep…" and "The Secret" are more examples of this. The title implies that if humanity is to evolve to this higher state of awareness, we must awaken the God within us. As Jesus says, "Did I not say ye are gods?" It is not that we become gods, but rather God expresses part of Itself as and through us. The key here is not to confuse this concept with the god of the Bible. God, the Universe, the All has no wants or desires. We need to stop personifying this concept like people do when they misinterpret the Bible and the Qur'an.


KS: What market were you hoping to attract with this book? I mean, being Pagan, I was like Waking God? Why would you send me a book to review called Waking God. It was after I read the book that I understood that it wasn't in all actuality 'about' God.

PH: So, the book is about God, but not about god. Actually, we kind of trash god and attempt to explain the difference and how churches have purposely pushed the little 'g' god to further their own ends. We really did not write the book with a specific market in mind except we felt that there was and is growing dissatisfaction with religious institutions. In a way, I guess our target is those who are on the cusp of self discovery and who are looking to make some sense of an otherwise insane world.


KS: It seems to me that each time Andrew 'writes' he goes almost into a trance, although in the book it appears that he has been sleeping when he writes?

PH: You are very observant about Andrew and his writing. When he writes in his journals he does start in a trance like state but then he enters a dream-like world-the world of imagination where all things become possible and the world of higher states of awareness. Some call this the astral plane and it seems to the observer to be a sleep-like state.


KS: This book takes the reader to so many places. For me…it was like The Matrix in the beginning when Mara was taken. Then I felt as though we were transported to another plane of existence and then Mantrella…the don…I was like…wow, now we are at the Godfather level! I have never read a book that took me to so many places so quickly without great confusion. Was this what you intended? Or is it just how it happened?

PH: The fast trips to other places and dimensions was both intended and also guided. Some of these scenes were written independent of each other and yet they merged into a cohesive whole. Both Brian and I were often amazed at the synchronicity of events and the connections that were-given that much was written after I had moved from New York to Maine. It came together by design but it was not always our conscious design. Deus ex machina or some would say Diablo ex machina. I believe that those who can follow the events without being confused are truly into the mystic flow of the book. You "get it." Some readers got lost in the jumps and were not sure what was happening. So far, those that have been able to get caught up with the flow have had personal revelations. Those that don't still like the book, but more for the story than the message.


KS: Again, with the fear of being repetitive, I am Pagan and there were times in this book where I was like YES! Someone gets it and then times when I was like huh? You made me think. I like that your book wasn't about one religion but about religion and it's origin as a whole. Anyone who reads this book will spend hours, days, MONTHS, pondering about what they have read because you and Brian Doe will have caused the thinking wheel to begin to spin. Was that your intention?

PH: Every time we get a comment from a reader that says the book 'made them think' we feel that the message and the book is a success. Brian will say the same thing-our PRIMARY goal was to get people to think and to question. When Piers Anthony said, "It will make you think," it brought a tear to my eye. This sentiment has been echoed by almost all of the book reviews. If you read the reviews on our web site you will see what I mean. Yes, this was indeed the intent and it is how I measure its success.


KS: If I may ask, what are your religious beliefs? If your religious beliefs are strong, have you done the thinking wheel process having brought so many questions to the surface about religion?

PH: I covered my early religious background in question 1 so I will bring that up to date. I have explored many religious beliefs and have found that the underlying theme of all of them is the same. What has messed up is the institutionalization of the religions. If people stuck to spiritual discussion and not created the organization, we would be better off. We once owned a New Age store and I read almost all of the books we carried. We have hosted, in the past, spiritual study groups that explored everything from crystals to light and sound healing; the study of various belief systems from Buddhism to Sufi mysticism. I am a member and have been a member of numerous mystical societies. I believe in Gnosis and I see the wheel as a Spiral.


KS: Several reviewers have for lack of a better term…strange experiences after reading this book. Any thoughts on that matter?

PH: If you intend to build a new house on the ground of the old, the existing structure must give way for the new. Those who get into the flow of the book are subconsciously tearing down the old house.


KS: I said in my review that I believed that you tapped into something that perhaps the Universe wasn't ready for us to know and the reaction has been the 'strange experiences' . Do you agree? Has anything strange happened to you or to Brian Doe?

PH: There have been odd experiences but it is not because the Universe does not want us to Know. It is we who fear Truth. The reviewer at BookPleasures.com started his review by saying, "What if every Truth you have ever been told was really a mosaic of falsehoods? What if every religious institution that preached salvation was actually and agent of oppression? …this book reminds us that there are other ways of looking at the world…" When a book like WAKING GOD comes along and throws your world into spiritual chaos, things tend to happen. Without exception, everyone I know that embarked upon a mystical journey has had their life- temporarily-thrown into turmoil. Divorce, bankruptcy, depression, accidents…manifested as a way for the subconscious mind to derail the journey. In seeking to protect its deeply ingrained beliefs, it creates turmoil. Some call this The Dark Knight of the Soul. But those who stay on the path find that the darkness was but illusion in order to better see the light. Notan, Yin-Yang-Polarities-are controlling factors in the manifest world, if we let them. This is where WAKING GOD echoes the famous words-"to be, or not to be…" Our lives couldn't be stranger if we tried. Every day is a lesson in taking conscious control of our reality and manifesting our highest spiritual goals. What most fear is being responsible for all the world-after all-religions have told people for thousands of years that we are at the mercy of 'g'od.



KS: Finally, can you give me three short story prompts, please?


PH: "Is all that you have been taught a lie?"

"Is every religious institution an agent of oppression?"
"What is the major reason why people fear creating their own reality?"
WAKING GOD is a novel that dares to ask and answer these and even more profound questions." Philip Harris

KS: Mr. Harris, I'd like to thank you for doing this interview with me. As discussed this interview will be placed on Sassy Brit's review site http://tjbook-list.blogspot.com/ Alternative-Read.com, and also on PaganPages.org and ThePaganReview. I look forward to speaking to you again!



Philip F. Harris
Co-Author WAKING GOD
www.wakinggod.com
Author, A MAINE CHRISTMAS CAROL
PHILIP HARRIS' BLOG

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