Why King Arthur Endlessly Endures.
I know I’ve
mentioned this before, but I can’t resist, especially with this book, so I’m
going to mention it again. I happen to know that Sassy lives in one of
my favourite cities in all of England. It’s so thick with history it
just crawls with it. I’ve visited her home town and walked all over the
university grounds there, and love, love, love the place. Every
building you bump into is at least a couple of centuries old. The pub I
had dinner at one of the nights I was there was three hundred years old
and the owner, when I was talking with her, said casually “Of course,
the ghost upstairs is a noisy old bugger if we don’t remember to shut
the door at night,” which tends to make your eyes cross a bit once you
process the words beyond the casual tone.
If you haven’t
clued in yet, I’m a history nut, and Britain is prime hunting territory
for me. Coming from Australia, where nothing is much over sixty seconds
old, Britain was like Christmas and Valentine’s Day rolled into one for
me. My friends, who barely read books, let alone history books,
couldn’t understand my wide-eyed wonder over old buildings, even older
dusty and mouldy books and antiques and when we actually drove through
Sherwood Forrest, they didn’t understand why I couldn’t sit still.
Nottingham and York were like boxes of candy for me. Sassy’s home
town...nirvana.
I could give you a very long list of towns and cities and
locations in Britain that just reek with historical significance.
Europe is stuffed full of them, too. The further east you move,
especially as you head south into the Mediterranean basin, the older the
history gets and the more fascinating it all becomes.
But I’m just
concentrating on Britain today, because it’s been an obsession of mine
for years. I’m not actually an Anglophile. I like my British history
pre-Anglo-Saxon if I can help it, although I’ll take Norman England
every now and again, because those feuding Plantagenets are
irresistable.
But King Arthur...
What is it about King Arthur that we just can’t seem to leave
alone? Every ten or fifteen years, the myth of King Arthur re-emerges
on the big screen or small, or in books, in bigger and better life, in a
new shape or interpretation, and we obsess over Arthur all over again.
Is it the fact
that the story is a tragedy? That you watch this magnificent, quixotic
life and know it was all for naught?
Sometimes, I think we’re all caught up in the glory and
spectacle of it, but there are versions of Arthur that aren’t at all
glorious. They’re far more closer to what Arthur
would have been in fact, and they’re plain, humble, hard struggles for
survival, and despite that those retellings are still un-put-down-able.
I would like to think that Arthur is simply, in the end, a
role model we would all like to emulate. He insisted on doing what he
thought was the right thing even though it was against the most
overwhelming odds, and the most bitter opposition, and for a small
moment in time, he managed to hold his own. His reward, although he
doesn’t know it, is that fifteen centuries later, we still remember him
for it.
What do you like most about King Arthur, if anything?
________________________________
Diana By
The Moon
HISTORICAL ROMANTIC SUSPENSE
He is Arthur’s man. His duty is his life. She
fears and mistrusts him. The only way they will survive is to work
together.
Finalist, Emma
Darcy Award.
___
Excerpt
Chapter Two
470, one year
later
The knife bit deeply into the sheep’s throat and
blood gushed from the wound. Sosia pulled the knife out, her hand
moving in a practiced sweep and let the animal’s head go. She stepped
back. As the sheep’s kicks weakened, the blood flowed onto the earth and
formed a large round pool.
Diana felt her stomach
and heart were about to seize. She wanted to cover her eyes and turn
away but everyone was watching her so she used the hand she had raised
to her mouth to rub at her chin thoughtfully. Hot beads of sweat sprang
out at her temples and the need to bathe was almost irresistible.
Thank
god she’d had the foresight to send Minna back to the threshing! If she
had seen this…
Sosia crossed her arms, the hand
holding the bloody knife on top and glanced at Diana for approval. She
stood a head and shoulders higher than Diana
and there was more dignity in her round, protruding cheekbones and
squared shoulders, more wisdom in her odd blue eyes and unwavering stare
than Diana could ever aspire to—for all that Sosia’s people had been
conquered and enslaved three generations ago.
“Thank
you, Sosia. Can you slaughter all the sheep that I picked out? Or do you
want someone to help you?”
“This, I can do.” She
stooped down to peer into Diana’s face. “They will feed us throughout
winter. You know that.”
Diana nodded. The knowledge was
burned into her mind from endless worry.
“Diana!”
Marcus appeared from around the corner of the barn, his tattered cloak
flapping. “They want you at the thresher for counting!”
“I will
come now.” She looked at Sosia and the other women standing around the
pen. Some of them looked a little pale too—the women who had not been
farmers’ wives, who had spent their days indoors.
Well,
we’re all forced to learn new skills these days. She straighted her spine. “Once Sosia has finished, you will
need to hang the carcasses for draining,” she told the women. “Then
Sosia will show you how to skin them.”
Diana
took Marcus’ hand and walked slowly, heading for the gates of the villa.
She hoped her pace looked dignified but in truth her legs were
unsteady. It wasn’t until they turned the corner of the villa wall that
she could draw a proper breath.
Once around the corner
she stopped and leaned against the wall, her head hanging.
“Diana?
Are you ill?” Marcus asked. “Should I get Sosia?”
Diana
forced herself to breathe steadily. “I’m fine,” she assured the boy and
tried to smile. When she could, she straightened and started to walk
again.
She checked the fields as she walked. They were
laid out between the villa walls and the old Roman road that ran as
straight as an arrow down the middle of the dale, heading for Lindum.
Ermine Street, it was called.
The fields were
harvested—a giant achievement. There had been virtually no grain for
sowing. Diana had spent days sweeping out the furthest corners of the
grain stores, picking up fallen seed one forgotten grain at a time. They
had planted less than half the usual fields. But they had grown and the
summer harvest would give them a slight surplus for seed.
Marcus
tugged her hand when they reached the yawning gateway, drawing her
inside. The gates lay to one side, a pile of broken beams and iron.
Every time she saw them, Diana reminded herself to have new gates built.
But in a whole year she’d had no time to think beyond the need to
provide food for the thirty-one people who were depending upon her to
keep them from starving.
Besides, there was no
one here with the strength to hew the trees or the skill to make the
gates. Perhaps after the solstice she could go to Eboracum to search for
a woodsmith.
But first they must put aside food
enough to survive the winter.
Women had been
threshing grain for generations, so this task Diana knew she could leave
unsupervised. The small sacks of grain were piled against the wall in rows ready for her to count and record before it was
stored, just as it had been all her life. The rows were pitifully few.
She
approached the waiting women. “You’ve finished? Good.”
They
gathered around her, pleased with her approval. “No thanks to Alfie’s
help!” one jested, pushing at a redheaded woman among them.
The
redhead laughed, pushing back. “I did my share.”
Then
came a cry that chilled Diana to the marrow and stopped her heart.
“Saxons!”
Diana whirled to face the gateway, trying to speak and failing.
Sosia’s son, a boy of ten, stood on the top of the wall. He
pointed toward the Roman road. “Armed horsemen! Lots of them!”
Someone
behind her screamed and the sound released Diana’s own fear. Her gaze
fell on the sacks of wheat. Dear Lord! The food for winter—if that were
stolen they would not survive the year.
“Quickly!”
she told the women. “Take one sack of wheat between two and one child
and head for the old beacon at the top of the hill.”
“They’re
heading this way!” yelled Sosia’s son.
Marcus
tugged her hand. “What about the women in the barn?”
“Alfie,
go by way of the barn and warn them.” Quickly, Diana sent messengers to
the scattered pockets of people around the estate. She sent Sosia’s son
into the forest to gather the children picking nuts, to keep them
hidden among the trees.
Diana grabbed a sack of wheat and
raced through the house for the postern gate that led out onto the
hillside behind the villa. She was outside among the trees before a
thought bought her to a skidding halt.
Minna!
_________________________
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Thanks once more for letting me visit, Sassy!
ReplyDeleteCheers,
Tracy
I just love the Norman period, for me it is cos of the stone castle they made ;)
ReplyDeleteGreat looking books, I especially love that last cover.
Is it hard to try to be historically correct?
blodeuedd1 at gmail dot com
Hi Blodeuedd:
ReplyDeleteYes, it's very difficult to be historically accurate. Actually, to be technical, most romance books are NOT accuracte - deliberately so. I wrote an artical about this a short while ago: "Why It's Impossible To Write An Historical Novel Accurate For A Modern Audience."
http://tracycooperposey.com/why-its-impossible-to-write-an-historical-novel-accurately-for-a-modern-audience/
I also wrote another related one: "The Difficulties of Writing Really Old Erotic Historical Romances."
http://tracycooperposey.com/the-difficulties-of-writing-really-old-erotic-historical-romances/
Cheers,
Tracy
Your book sounds so good. Love the cover too. I just started reading some historical romantic suspense. I really enjoyed the books I have read so far.
ReplyDeleteDoes it take you a long time to do research for a book?
Sue B
katsrus(at)gmail(dot)com
Hi Tracy! Another time around the Blogisphere huh? Just wanted to say Hi and of course be entered to win one of your many great books. :)
ReplyDeleteHave a good day!!
chirth7@yahoo.com
Hi Sue:
ReplyDeleteThe first time I "crack" a new era it does take a long while to learn the era and the culture, yes. But once I'm familiar with an era, a new book in that era is much quicker to research -- it's just a matter of learning the political events surrounding the year(s) of the book I'm writing.
However, DIANA BY THE MOON was a bit different because it's set in what's generally called "The Dark Ages" of British history -- there's so few reliable historical resources for that period. That's one of the reasons no one can say for sure if King Arthur really did exist or not. There's hints, and very few of them, that there *might* have been a war leader around that time that *might* have held the Celtic tribes together against the invading Saxons. The Battle of Badon Hill *is* however, one of the few facts that have been confirmed. Most of what we know about that period is drawn from educated extrapolation and inference. That's why the period is called "dark" -- no real information survived about it.
Cheers,
Tracy
Hi Christine!
ReplyDeleteYou're getting very skilled at finding me!
Yes, this is book two of the four I have coming out in less than thirty days. Another two to go (phew!). And then add the Romantic Times Convention in on top of that. On Saturday, Mark and I head off on our road trip down to Ohio for that, so I'll be Internetting via Blackberry+Netbook when I can't find a wi-fi network to piggy-back on. I can't wait to see my next Telus phonebill (ouch!)
Cheers,
Tracy
PS: The cover of DIANA BY THE MOON, for anyone who is curious, was created by Dar Albert. She does most of my covers for Cerridwen Press, and she's brilliant at capturing mood and suspense in one hit.
ReplyDeleteHere's two more of her's that are just as atmospheric -- do click on them to get the full sized versions:
http://tracycooperposey.com/books/dare-to-return/
http://tracycooperposey.com/books/dead-again/
Cheers,
Tracy
I enjoyed the excerpt. Always the best way for me to become interested in a book, series or author. History is alive!!
ReplyDeletemarypres@gmail.com
Thanks, Marybelle!
ReplyDeleteGood luck with the draw!
Cheers,
Tracy
You are very welcome Tracy, sorry I disappeared, my son was not very well and I couldn't get back online.
ReplyDeleteRight before our holiday too. Poor thing.
It's funny how you mention my home town, and yet, I hardly notice and don't appreciate it at all because I am so used to just having all that history, the buildings and everything about Cambridge just "being there". One day I will take the open roofed bus tour and learn more about where I live! :)
Thanks for your comments everyone. Good luck!
Sassy
:)
i Tracy,
ReplyDeleteThe Dark Ages is about the only period I think that there is so little History that survived besides the Mayan's. I think of King Arthur as a Warrior who believed in the good and the right and fought for those things for a short little while.I love the cover and the excerpt.
Carol L.
Lucky4750@aol.com
I follow the blog publicly.
ReplyDeleteCarol L.
Lucky4750@aol.com
Thank you for sharing the excerpt. Sounds interesting. I'm glad to know that you accept international entries. Please count me in.
ReplyDeletetamsyn5@yahoo.com
This sounds wonderful. I have always been into history and love when books follow it accurately. I would love to read and review some of your books.
ReplyDeletemajik.of.mystee(at)gmai.com
Tracy what a fun contest. :) Thanks.
ReplyDeleteLaura
L_Hogg at comcast dot net